Rowena Roberts and cofounder John Simmons talk language and connection, books, storytelling, and what it means to call yourself a writer.
It was great to see you again at the Masterclass in Oxford – you’ve now done the full set. Your final evening piece reminded us that your Dark Angels journey began with a book. You came across my book We, Me, Them & It first and that led you to Dark Angels at Highgreen. It’s actually a well-trodden path. What did the book mean to you at the time you first read it?
Quite frankly, utter relief!
My first copywriting job was based on the principle of “write what you’re told”, which gave me little creative freedom and even less personal (or professional, for that matter) satisfaction.
On the side, I wrote magazine articles and reviews on a freelance basis – and was starting to separate the two activities in my mind as “free” writing, where I could indulge my love of language and expression, and “corporate” writing, otherwise known as formal, safe, and lacklustre beyond belief.
The worst part was the knowledge that my copywriting wasn’t doing the job it was supposed to do. Sure, my standard of English and grammar and my volume of output (there’s that corporate speak again) kept my manager happy, but I just knew how bored and uninspired the readers would be – how quickly their attention would wander, and how my world-weary words would make their day just a little more dreary.
How truly refreshing it was, then, to discover your book! To be reminded that communication in all its forms is ultimately about connection – and that a little artistry, imagination and playfulness beats a lot of USPs and jaded clichés (“passionate”, anyone?).
‘Only connect’ (EM Forster) has always been my favourite quotation. It works for me in so many ways: the need to network, to work with others, a plea for empathy, to achieve the real purpose of communication. All those ideas were behind We, Me, Them & It and then I discovered that Dark Angels courses were really able to connect at a deeper level through a shared belief in the potential of writing.
By that point I’d also written The Invisible Grail, based on a belief (from my own work) in the power of storytelling in business. So The Invisible Grail was written as a quest, one of the fundamental archetypes of storytelling. What also emerged was that books might have two purposes for writers who came on Dark Angels courses. First to introduce them to the principles, perhaps to whet their appetite, then to remind them and recapture some of the excitement after returning to work: to renew that faith daily that business writing can be invigorating, stimulating, transforming – for the writer and the reader.
Do you dip into the books after courses? Do they revive moments from, for example, Dark Angels in Spain?
I do – and they do.
Dark Angels was an obvious choice after our first course. What I liked most about it was that you were walking your talk – bringing so much of your personality and background into your writing of a book that advised readers to bring more of their personality into their writing at work. The book reminds us that even people who aren’t employed as writers still often write at work – emails, letters, presentations, etc – and a little creativity can go a long way towards making work a little less mundane and a little more enjoyable.
It struck me early on in our Spanish sojourn how difficult it seemed for a group of people who were mostly employed to write to call themselves ‘writers’. Perhaps because there’s no qualification or certificate awarded, we shy away from a label that implies a level of expertise we’re not sure we have the right to claim. Milton, he was a writer. Wilde, Plath, Hemmingway, Brontë (all of them), Tolkein, Capote, Angelou, that Shakespeare wasn’t bad either. Me? I ‘write for a living’.
But the books tell us that we all have an inner voice waiting to be heard, a storyteller eager to be released, a dark angel ready to spread its wings. I continue to find ideas and inspiration in the books, before and after the courses. The courses themselves introduce us to our own hidden depths; I think we all left Aracena as proud, if somewhat surprised, writers. It’s satisfying to discover that I can walk the talk myself.
It’s true what you say about writers finding it hard to say ‘I am a writer’. We hope they go away from our courses more confident to say those words. Perhaps it is something to do with a perceived legitimacy that comes from a published book – there’s a link between ‘author’ and ‘authority’.
But of course you don’t have to write a book to see yourself as a writer. By the time people reach Masterclass level – as you now have – our hope is that essentials are in place. By that I don’t really mean ‘technical skills’ but a change in the way you think of yourself. The inner belief to say ‘I am a writer’. To have the confidence and the sheer love of the craft to want to be the best writer you can be, whatever kind of writing you do.
I hope that rings true for you.
I’m proud to say that it does.
And, who knows, perhaps accepting that title in our minds is the step we need to take before we can go on to write our own books. That’s certainly been the case for some fellow Dark Angels, who became published authors after taking their courses.
Will I join their ranks in the future? Let’s watch this space…
Also published on Medium.